Figure 1.1
Childs drawing of the destroyed bridge, East Mostar.

Figure 1.2
Map of Kosovo made by Albanian Kosovan refugee families, London.

Figure 1.3
Painting of the whale in the sea.

Figure 3.2
A river begins in a sunny place.

Figure 3.3
Child's image of war in Kosovo.

Figure 3.4
Seeing the sea for the first time.

Figure 4.1
Shea's painting, week four, Khartoum.

Figure 4.2
One of Sara's black paintings, Khartoum.

Figure 4.3
Image on theme of identity, Street Girl Centre, Khartoum.

Figure 5.1
The monumental products were very dramatic, Israel.

Figure 5.2
The mural became covered with cheerfully coloured pieces surrounding the black shapes, Israel.

Figure 6.1
Tent on plot of land on which the house once stood, Kosovo.

Figure 6.2
Juno's painting of an egg-shaped form.

Figure 6.3
One of Juno's shredded images.

Figure 7.1
Untitled first picture on a scrap of card, Omagh, Northern Ireland.

Figure 7.2
Untitled pen drawing.

Figure 7.3
Untitled pen drawing.

Figure 7.4
Untitled tissue and oil pastel image.

Figure 8.1
Tornado by Celeste - black marker drawing, New York.

Figure 8.2
Detail of the Village - photographic.

Figure 9.1
Ramallah group with ambulance drivers and doctors.

Figure 9.2
Nablus group with traumatised youth.

Figure 10.1
Clay container, South Africa.

Figure 10.2
Photograph taken by careworker.

Figure 11.1
Pathum's second jungle scene, Sri Lanka.

Figure 11.2
Pathum's cell, with jailers, Sri Lanka.

Figure 11.3
Pathum as a soldier, and as civilian, Sri Lanka.

Figure 12.1
S's first image.

Figure 12.2
S's image with mother in grave.

Figure 12.3
S's first painting with heart.

Figure 12.4
S's decorative flower drawing.

Figure 13.1
It became increasingly obvious ... bonding and separation, Netherlands.

Figure 13.2
A visual narrative makes communication possible (work of Eveline), Netherlands.

Figure 13.3
Who is sitting on whose lap? Who is clinging to whom? (clay work by Eveline).

Epilogue
Collage in living room-bedroom, Sarajevo.